”He makes particular use of the color red to draw our eyes deeper into the frame. In almost every shot there is something red or orange in the foreground, middle distance, and back. These are not obvious. They may involve a stool, a sign on a wall, an item of clothing hanging from a hook, a vase, some books. They mean nothing in particular, but because red is a dominant color, they lead our eyes through his usually pastel compositions and prevent us from reading a shot only in a flat pane.”